{"id":1630,"date":"2019-06-27T09:16:31","date_gmt":"2019-06-27T09:16:31","guid":{"rendered":"https:\/\/deothering.ces.uc.pt\/?p=1630"},"modified":"2019-07-25T11:17:53","modified_gmt":"2019-07-25T11:17:53","slug":"razza-cagna-mondo-movies-the-white-heterosexual-male-gaze-and-the-1960s-1970s-imaginary-of-the-nation","status":"publish","type":"post","link":"https:\/\/deothering.ces.uc.pt\/en_GB\/2019\/06\/27\/razza-cagna-mondo-movies-the-white-heterosexual-male-gaze-and-the-1960s-1970s-imaginary-of-the-nation\/","title":{"rendered":"Razza Cagna: Mondo Movies, the White Heterosexual Male Gaze, and the 1960s\u20131970s. Imaginary of the Nation"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” bg_image=”950″ bg_position=”center top” bg_repeat=”no-repeat” bg_color=”#bf0442″ scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”600″ color_overlay=”#bf0442″ overlay_strength=”0.8″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” top_margin=”40″ bottom_margin=”40″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Gaia Giuliani (2018)<\/p>\n

\u201cRazza Cagna: Mondo Movies, the White Heterosexual Male Gaze, and the 1960s\u20131970s. Imaginary of the Nation\u201d<\/strong><\/span>
\nSpecial issue of Modern Italy on \u201cNation, \u2018Race,\u2019 and Racisms in Twentieth-Century Italy\u201d edited by Valeria Deplano and Silvana Patriarca, Volume 23, Issue 4, December.<\/p>\n

READ ARTICLE<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” top_margin=”60″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

Corresponding Publications<\/span><\/h3>\n[\/vc_column_text]\t\t\t
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\r\n\t\t\t\t\t\t\t\t 2021-11-29<\/span> in Journal Article<\/a>, Portugal<\/a> <\/span> \r\n\t\t\t\t\t\t\t\t

Covid-19 pandemic: the reproduction and contestation of securitisation of asylum seekers, immigrants and Afro-descendants in the Portuguese media<\/h3>\t\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t
Rita Santos e Sofia J Santos, From the European South: A Transdisciplinary Journal of Postcolonial Humanities, 2021<\/div>\t\t\t\t\t\t\tRead More <\/i><\/span>\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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\r\n\t\t\t\t\t\t\t\t 2021-11-29<\/span> in Italy<\/a>, Journal Article<\/a> <\/span> \r\n\t\t\t\t\t\t\t\t

Perfect victims and monstrous invaders: media, borders, and intersectionality in Italy<\/h3>\t\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t
Gaia Giuliani e Barbara Pinelli, From the European South: A Transdisciplinary Journal of Postcolonial Humanities, 2021<\/div>\t\t\t\t\t\t\tRead More <\/i><\/span>\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t 2021-11-29<\/span> in Germany<\/a>, Italy<\/a>, Journal Article<\/a>, Portugal<\/a>, UK & France<\/a> <\/span> \r\n\t\t\t\t\t\t\t\t

Borders, race, and global mediascapes: deconstructing violence in politics and representations<\/h3>\t\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t
Gaia Giuliani, Sofia J Santos e Monish Bhatia, From the European South: A Transdisciplinary Journal of Postcolonial Humanities, 2021<\/div>\t\t\t\t\t\t\tRead More <\/i><\/span>\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t 2021-11-29<\/span> in Journal Article<\/a>, Portugal<\/a> <\/span> \r\n\t\t\t\t\t\t\t\t

Margarida Cardoso e as mulheres da Casa Grande. Reconfigurar a mem\u00f3ria (p\u00f3s)colonial a partir da branquitude MEM<\/h3>\t\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t
Ana Cristina Pereira, Revista Ci\u00eancias Humanas, 2021<\/div>\t\t\t\t\t\t\tRead More <\/i><\/span>\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t<\/div>\r\n\t\t\r\n\t\t[\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"Gaia Giuliani (2018)\r\nSpecial issue of Modern Italy on \u201cNation, \u2018Race,\u2019 and Racisms in Twentieth-Century Italy\u201d edited by Valeria Deplano and Silvana Patriarca, Volume 23, Issue 4, December.","protected":false},"author":1,"featured_media":950,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"yoast_head":"\nRazza Cagna: Mondo Movies, the White Heterosexual Male Gaze, and the 1960s\u20131970s. 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